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The Hamiltons
are a dynamic folk music duo.
Their mission is to share the living accessible folk music through
performances and teaching. They interpret folk songs and music from
America and other lands, some of it collected in their travels. They
play between them, 6 and 12 string guitars, 5 string banjo, autoharp,
mandolin, and tenor banjos. These instruments are mainly used for
accompanying the songs.
Frank's history in folk music goes back to teen-aged years in California
where he was a "pickin' buddy" of Woody Guthrie, grew up
in the company of Pete Seeger and Will Geer. In high school, he heard
and loved the music of the Weavers and in 1963, he joined the group
taking the place of his friend Erik |
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Darling, who took
over when Pete Seeger left to do solo concerts.
Over the span of fifty-plus years, Frank has performed and accompanied
notable folk singers and musicians such as Pete Seeger, The
Clancy Brothers and Tommy Makem, Shoshanna Damari, Martha Schlamme,
Bud and Travis, Tom Paxton, Joan Baez, Woody Guthrie, Mahalia
Jackson, Theodore Bikel, Jack Elliot, Hoyt Axton, Rod McKuen
and Odetta. He has recorded for Folkways and Vanguard and recently
released a CD for ITR studios. |
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He appeared at the first Newport
Folk Festival in 1959. He was the house musician for The Gate of Horn,
the nation's first folk music nightclub in Chicago.
On November, 1957, along with Win Stracke, he organized and founded
the Old Town School of Folk Music in Chicago. He headed the teaching
program through 1963. The School thrives today with an enrollment
of 6,500 students per week and is the largest non-profit music school
in the country.
Mary has had an appreciation for folk music since early childhood.
She first learned from her musical grandmother and later heard a group
singing labor songs on the radio. Mary recalls, while listening, the
door to her father’s office opening so slightly and a hand coming
around the corner, turning off the wonderful songs. Remembering this,
she searched the radio for songs at every opportunity finding great
treasures on the airwaves. Later, at Girl Scout camp in Fairlee, Vermont,
she led singing and wrote songs recounting the many hiking trips and
camp capers. These recounts often earned her a seat at the head table
at dinnertime, a place of honor and extra dessert.
Her mother, who was the camp nurse, encouraged her by seeing to it
that she had an instrument. This was a beautiful “Islander”
ukulele to take on camp trips. Mary continued her music with guitar
and autoharp, singing with her children, friends and at community
events. Mary has taught privately and through adult education centers
in New England. Frank and Mary have combined their talents and love
of performance with their marriage, now into its third decade. Together,
they keep the music turned on! They truly believe in sharing the world’s
folk music; it promotes unity and healing. This is their mission. |
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